Multisensory Perception and Synesthesia
Synesthesia means the capability of the perceptual system to induce perception within one sensual modality by stimulation of a different sensual area. Similar phenomena are pronounced at relatively few individuals, but show a characteristic permanence. Often the phenomenon of visual perception caused by auditory stimulation is described (as color(ed) hearing). In principle, synesthesia can occur between all senses. Such connections are also observed within one sensory space. In that manner, numbers and letters can get an additional color during a process of visual perception or imagination.
Applications in the Arts and Design
My papers and artwork mentioned of reproduces on this website illuminate phenomena of synesthesia, but also consider the widespread capabilities of cross-sensory connections via correspondences, associations/iconicity, multi-sensory symbolism and conscious generation of rules (e.g. with reference to physical parameters or algorithms). This enables development of numerous fields of application, like sound design and perception of soundscapes, multi-sensory design of products and interfaces, virtual environments, correlation of music and the fine arts, and many others.
Adjustment of soft sounds in cars for multisensory harmony. Inter-Noise 2020 e-Conference, Seoul, Korea.
Light, Color and Motion as Crossmodal Elements of Baroque Music. In: Kolyadenko, N. et. al. (eds.): Synesthesia in Music. History, Theory, Practice. Collection of Scientific Articles. Issue 3. Novosibirsk: Glinka State Conservatoire, 2020, 231-246 (English), 246-262 (Russian).
Impetus and challenges of synesthetic music painting. In: Jörg Jewanski, Sean A. Day, Saleh Siddiq, Michael Haverkamp, Christoph Reuter (Eds.): Music and Synesthesia. Abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 (cancelled). Wissenschaftliche Schriften der WWU Münster, Reihe XVIII, Band 14. Dortmund: readbox unipress, 2020, 35-41.
at the same place: Particles of sound. 51-56.
Book Review: Sabine von Fischer: Das akustische Argument. Wissenschaft und Hörerfahrung in der Architektur des 20. Jahrhunderts (Zürich, gta Verlag 2019). KUNSTCHRONIK, 73/5, May 2020, 236-41.
see also in: Akustik Journal 02/20, Deutsche Gesellschaft für Akustik DEGA, 70-73.
Auditive Wahrnehmung und die subjektive Repräsentation der Zeit. Annual Conference DAGA 2020. Berlin: DEGA, 2020, 728-31.
Anton V. Sidoroff-Dorso, Sean A. Day, and Jörg Jewanski (Eds.): Synaesthesia; Opinions and Perspectives - 30 Interviews with Leading Scientists, Artists and Synaesthetes. Wissenschaftliche Schriften der WWU Münster, Reihe VIII, Band 5, Dortmund: readbox unipress, 2020, pp. 278-287.
Haptisches Feedback: Perzeptive und messtechnische Aspekte
Fachtagung Haptisches Feedback & Printed Electronics
16.+17. November 2020
Contribution of timbre variation of historical flutes to colorful music
Kazan State Technical University
Galeyev Readings – 2020, October 2nd - 4th
Contribution to Art Exhibition
October 11, 2020
10am - 6pm
Pfeuferstraße 38 81373 München
Adjustment of soft sounds in cars for multisensory harmony
49th International Congress on Noise Control Engineering, Seoul
August 23-26, 2020
Keynote: Impetus and challenge of synesthetic music painting
Portrait: Synesthete Visual Artists - Personal Insights
Moderation of evening event with Johannes Deutsch (Vienna): Visualising Classical Music
Conference: Music and Synesthesia. Universität Wien, Hörsaal 1/2, July 3-5, 2020, Vienna, Austria
Cancelled in 2020, hopefully postponed to Summer 2021
Book of abstracts published!
Vision Mahler (Screenshot),
Light, Color and Motion as Crossmodal Elements of Baroque Music
Soft sounds within Quiet Cars – Design with Respect to Subjective Intensity of Sounds
Forum Acusticum 2020, Lyon
postponed to Dec 7-11, 2020
Auditive Wahrnehmung und die subjektive Repräsentation der Zeit
46. Jahrestagung für Akustik, March 16-19, 2020, Hannover Congress Centrum HCC
Conference has been cancelled - proceedings are available.
Visual Aspects incorporated into the Music of the 18th Century
3rd International Academic Conference Polylogue and synthesis of arts: history and modernity, theory and practice. March 5-6, 2020, Rimsky-Korsakov State Conservatory, St. Petersburg, Russia